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THE DANCE FLOOR. DANCE FLOOR


The dance floor. Installing vinyl floor.



The Dance Floor





the dance floor






    dance floor
  • Denoting a recording or type of music particularly popular as an accompaniment to dancing

  • a bare floor polished for dancing

  • An area of uncarpeted floor, typically in a nightclub or restaurant, reserved for dancing

  • Dance Floor (foaled 1989 in New Jersey) is a retired American Thoroughbred racehorse. He was bred by William Purdey at his Greenfields Farm in Colts Neck, New Jersey. Out of the mare, Dance Troupe, a granddaughter of U.S.

  • "Dance Floor, Part 1" is a 1982 single by the Dayton, Ohio-based, funk group, Zapp. The song spent two weeks at number one on the R&B in mid-1982, but failed to make the Hot 100. . The single was known for the use of a talk box, which became popular in the 1980s.











the dance floor - Shut Up




Shut Up and Dance!: The Joy of Letting Go of the Lead—On the Dance Floor and Off


Shut Up and Dance!: The Joy of Letting Go of the Lead—On the Dance Floor and Off





At forty-five, Jamie Rose was an independent, take-charge woman whose career as an actor was going nicely, with frequent roles on hit television shows and in films. But there was one area of her life that wasn't working: her love life. Although she was ready to get married, her boyfriend wasn't. His reason? They fought too much--and unfortunately, he was right. But something magical happened when she signed up for tango lessons: she began to understand that letting someone else take the lead from time to time wasn't giving up, but rather, "letting go." In this wise and funny book, Rose shares with readers the life lessons she's learned from tango and other great partner dance traditions.

Dance changed Rose's life, and she discovered that she wasn't the only one. Over and over, the women she encountered at dance halls--women from age twenty to ninety_three--told her how falling in love with dance helped them fall in love with life again. The secret? Whereas before they may have worried that if they let go of their grip on things for a moment, everything would fall apart, now they knew that sometimes letting go of the lead is the best way to keep things together"--especially in a relationship. For anyone who has ever marveled at Fred and Ginger up on the silver screen (how could they be so in sync?), SHUT UP AND DANCE shows how to dance their way into a happier, sexier life--even if they never step onto a dance floor.

EXCERPT:

What we all discovered is that "following" isn't what we thought it was; it isn't having no opinion--being a doormat. Rather, it's an equal and necessary part of being a couple--on the dance floor and off. And we don't have to always follow just because we're women, but by never spending time in that role, we're missing out on a really wonderful possibility.










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Blood on the Dance Floor




Blood on the Dance Floor





Blood on the Dance Floor is an American electronic band created by Dahvie Vanity. The current lineup is Dahvie Vanity and Jayy von Monroe. The group is known for extensive touring and being the "fan's band". Their large fan base is known as the Slash Gash Terror Crew or the SGTC. The duo is known for their live shows and for meeting all of their fans. The band is one of the largest underground bands on Myspace that is unsigned. The band have released three albums, three EP's, one compilation album, and are currently working on a fourth album titled "All The Rage".











The Dance Floor




The Dance Floor





'I bet that you look good on the dance floor, don't know if you're looking for romance.. don't know what you're looking for'









the dance floor








the dance floor




Close to the Floor: Irish Dance from the Boreen to Broadway






Close to the Floor brings together a distinguished and diverse cast of dance ethnographers, dancers, teachers, choreographers, and dance historians to discuss and reflect on a variety of topics in the world of Irish step dance and related percussive dance forms. This volume includes essays that originated at a symposium held at New York University in 2006 to commemorate the tenth anniversary of “Riverdance.” The contributor list is impressive and includes the most well-known names in both Irish dancing scholarship and performance.










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